Portside

Showing that rich women in 1969 are “living in a bubble” is like demonstrating that, as ever, water is wet. But even if Palm Royale was meant to deliver messages of great satirical significance, it’s too weak to carry them.

Largely set in occupied France during World War II, the new Apple TV+ series The New Look zeroes in on Christian Dior’s rivalry with Coco Chanel — but it falls flat when it tries to handle Chanel’s infamous Nazi sympathies.

This approach to period pieces does not only erase historical racism and homophobia. It also erases our joy. Accurate historical representation and less trauma in stories about marginalized people are not opposing goals.

The dystopian drama spins class warfare into gold.

The new Oprah Winfrey–produced Sidney Poitier documentary, Sidney, is a gushing tribute film, not a fully rounded portrait of a human being who had weaknesses to go along with his many strengths.

Gutsy, Hillary and Chelsea Clinton’s new TV series, showcases courageous women from an array of fields. But the show’s narrow lens suggests approval of women who show spunk, but not those who challenge abusive state power or capitalism.

Gay rights, corporate scheming, and family drama make for a taut and densely plotted episode on For All Mankind

The Afterparty is just one of several new comedies about stressed-out millennials finding themselves trapped in a murder mystery. So what is it about this generation that makes them all want to star in an Agatha Christie story?