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poetry Frisking Two Men in Sadiyah

Hugh Martin’s poetry captures the interior agonies of US soldiers at war in Iraq.

Frisking Two Men in Sadiyah

By Hugh Martin

 

Kenson says to search them

since they’ve watched us all day

from a doorway. I go down

to the dirt on one knee, begin

where the thin beige dishdasha

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grazes the ankle. My palms

then fingers climb as if the leg’s

a rope. Kenson points his rifle;

mine’s slung across his back.

This man, maybe sixty,

doesn’t take his hazel eyes

off my face & as I reach where

my right knuckles brush

the scrotum’s loose weight, he doesn’t

blink. I frisk the other leg, stand—

forehead level with his gray stubble chin,

his smoky breath. I pat the torso,

pat the outstretched armpits, pat

the breast-pocket’s cigarette pack,

then lean into what looks like a hug,

slide hands down his back,

my vest’s six magazines press

his stomach. He sees through

the black ballistic glasses I wear—

all of us wear—for explosions,

for sunlight, & as I squeeze

both arms through his sleeves,

I think he’ll be the one,

after hundreds, to spit gently

on my cheek. I tilt my head.

A few feet behind: Kenson—

just to see he’s there. When I step away,

the man studies my face as if

to put it all to memory. All

I want: to grab my rifle from Kenson,

but the other man steps forward,

lifts his arms, & waits for my hands to begin.

Hugh Martin is a veteran of the Iraq War and the author of In Country (BOA Editions, 2018) and The Stick Soldiers (BOA Editions, 2013). He is the recipient of an NEA Fellowship, a Pushcart Prize, a Yaddo Fellowship, and a Wallace Stegner Fellowship. He was the 2014-15 Emerging Writer Lecturer at Gettysburg College and he’s currently completing a Ph.D. at Ohio University.